Love in the House of the Ravens – Part Five

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, non-explicit sexual experience mentions. This chapter includes discussions of the way sexual experiences are shaped by autism, autistic modes of communication and the infantilising of allosexual autistic adults by allistics (non-autistics).

Length:  878 words.

Links: Beginning | Previous | Next

If sexual attraction is this complicated, why couldn’t he say yes?

Continue reading “Love in the House of the Ravens – Part Five”

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Love in the House of the Ravens – Part Four

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, bullying and the ableism targeted at people who can’t conform to neuronormative modes of speech. This chapter begins increasing romance mentions and discussions between alloromantic (Akash) and aromantic (Ila, Darius) characters.

Length: 1, 002 words.

Links: Beginning | Previous | Next

You never give a family heirloom to a romantic partner before you’ve legalised the relationship.

Continue reading “Love in the House of the Ravens – Part Four”

Love in the House of the Ravens – Part Three

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds, bullying, the way neuronormative behaviours can enable bullying, and blood magic.

Length: 1, 005 words.

Links: Beginning | Previous | Next

Maybe he should have left this for another day. Tomorrow, overmorrow, next week. Never.

Continue reading “Love in the House of the Ravens – Part Three”

Love in the House of the Ravens – Part Two

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds and blood magic along with an exceedingly obvious metaphor for real-world capitalism.

Length: 831 words.

Links: Beginning | Next

He froze at Harlow’s question. What if the Ravens can’t tell him why?

Continue reading “Love in the House of the Ravens – Part Two”

Love in the House of the Ravens – Part One

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

As it’s Autism Acceptance Month, I’m going to spend April posting installments of a fantasy novelette about the ways autism and ableism can shape, colour and complicate the experience of discovering aromantic identity. Readers should note that this is a sequel to Certain Eldritch Artefacts, but you only need know that the protagonist, an autistic magician, found a talking sword belt and allowed it to convince him into becoming a mercenary.

Content Advisory: Aside from references to various acts of violence and combat common in fantasy, this story includes references to or depictions of bullying, abuse, assault and ableism, as well as the way these things shape and impact the people who survive them. There’s also a few references to sexual attraction, non-explicit sex references, amatonormativity and romance. The protagonist also practices blood magic in a way that intentionally echoes self-harm.

Length: 772 words.

Links: Next

I want to ask them about something with … people.

Continue reading “Love in the House of the Ravens – Part One”

Allosexual Aromantic Erasure: A Guide

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

I’ve seen the beginnings of a trend that conflates aro-ace experiences of aromantic erasure in a-spec spaces with allo-aro experiences of allosexual-and-aromantic erasure.

I am troubled when this notion of we’re all aros together and we all experience aromantic erasure is sometimes being used to silence allo-aros from talking about our specific experiences. But I believe this line of thought seems reasonable because there’s been no real discussion on what allosexual-and-aromantic erasure in a-spec spaces looks like. When you don’t know what allosexual-aromantic erasure is, it’s not so unreasonable to think that it’s always similar to aromantic erasure.

When allo-aros experience aromantic erasure in general a-spec spaces, we are simultaneously experiencing allosexual erasure alongside it. (This is because we cannot exist in a-spec spaces by virtue of our allosexuality alone.) This makes our experiences of erasure in a-spec spaces different from those of aro-aces, and we need this difference recognised.

(Aro-aces are not privileged for being asexual, but inside a-spec spaces there is a real assumption that folks are asexual, not allosexual.)

It’s also worth noting that these points are interconnected and similar: a lot of these instances of erasure can’t happen without the concurrent existence of others. I’m listing these to create this sense of exposure and clarification, because even allo-aros don’t know the breadth of our own erasure.

I’ll also say that erasure does not have to be intentional to be erasure. A lot of this doesn’t happen from malice; some of it happens from good intentions and a lot of it happens from the history of aromantic communities and culture evolving from asexual ones. It still diminishes allo-aro voices, though. It’s still erasure.

So please find a list of forty-five instances I consider allo-aro erasure, along with a few parenthetical explanations.

Allosexual Aromantic Erasure in A-Spec and Aro-Spec Spaces Is:

Continue reading “Allosexual Aromantic Erasure: A Guide”

Aro-Spec Artist Profile – K. A. Cook

Handdrawn watercolour-style image of a sparse forest of redwood trees growing among grassy hills, with a white and orange fox sitting in the grass at the base of a tree on the viewer's right-hand side of the image. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Artist Profiles sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Hello! You all know me as the autistic, disabled, transgender, abrosexual, allo-aro Australian behind @aroworlds, @alloaroworlds and the Hallo, Aro short story series. I also have a Ko-fi you can support if so inclined, and you can find all my books on my personal website or collected by theme: allo-aro and aromantic.

Aside from the writing, I’ve worked as an editor and text designer on various community publications. When my hands allow, I like to sew, craft, bead and scrapbook. I’ve made everything from fidget toys for my @stimtoybox blog to dollhouse miniatures.

I’m here to talk about how disability separates me from my own aro-spec community, the importance of early recognition of aro-spec identity and my yearning for allo-aro autistic representation. Thank you so much for your support and encouragement as I attempt to kick-start more conversations on what it means to be aromantic and creative!

Four book covers, depicting cartoon-style fantasy images of a graveyard, a witch's front door, a taproom and a swamp, all with white type and author credit. The books are as follows: The Sorcerous Compendium of Postmortem Query; Love Spells, Rainbows and Rosie; Love is the Reckoning; and The Crew of Esher Hill, all by K. A. Cook.

Continue reading “Aro-Spec Artist Profile – K. A. Cook”