Aro-Spec Artist Profile: Alexis

Handdrawn watercolour-style image of a sparse forest of redwood trees growing among grassy hills, with a white and orange fox sitting in the grass at the base of a tree on the viewer's right-hand side of the image. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Artist Profiles sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Our next aro-spec creator is Alexis, who also goes by Wishie and is known on Tumblr as @lvbytes. They’re better known to the aro-spec community, though, as @aro-positivity!

Alexis is a POC and an agender, aroace writer of original fiction and fanfiction, the latter for the It fandom. You can find their fanworks on AO3 and invest a few dollars in worthy aro-spec talent via their Ko-Fi.

With us Alexis talks about the difficulty of writing romance as an aro, their passion for writing narratives centred on multiple forms of love, the importance of constructive positivity and the pressure aro-spec creatives feel to write representational aro-spec characters. Their passion for supporting the aro-spec community infuses every sentence, so please let’s give them all our love, encouragement, gratitude, kudos and follows for taking the time to explore what it is to be aromantic and creative.

Can you share with us your story in being aro-spec?

I hadn’t considered that I was aro for the longest time. I think a part of it was a lot of pressure in my life around finding a partner, or the stereotype that no aromantic person is capable of love. Either way, even after I discovered that being queer was a thing people could be (I grew up in a fairly conservative area) I still thought I was cishet. Then I identified as cis and pan, and shortly after that, agender and bi, and then a lesbian for quite a while longer. Side effect of this? I’ve been in a lot of relationships, and they’ve all ended the exact same way.

It wasn’t until a year-long relationship of mine had ended, and I was crying my heart out and wondering why I didn’t care more when the other person was clearly in pieces, when a friend of mine suggested that maybe I was aroace.

This sparked a meticulous google search on aromanticism, things I’d missed while learning about the LGBTQIA+ community the first time. I had a lot of internalized aphobia I had to get over before I could fully accept myself, and like much of the community, I still struggle with internalized aphobia and amatonormativity. I started @aro-positivity in part because I didn’t see a whole lot of actual, constructive positivity coming out of the community, or at least not gathered in one place, and I wanted a way I could constructively learn to accept my identity and who I was.

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Aro-Spec Artist Profile – Signe

Handdrawn watercolour-style image of a sparse forest of redwood trees growing among grassy hills, with a white and orange fox sitting in the grass at the base of a tree on the viewer's right-hand side of the image. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Artist Profiles sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Today’s awesome aro-spec creator is Signe, better known to aro-spec Tumblr as @fluffyllamacorn!

Signe is a busy aroace writer, visual and textile artist! She writes for the Young Avengers, The Shadowhunter Chronicles/Shadowhunters, Hawkeye Comics and New X-Men: Academy fandoms in addition to developing diverse original fiction. You can find her growing collection of fanworks on AO3 under the name FluffyLlamacorn and her gorgeous art at @llamacorn-productions.

She also posts and reblogs fashion and accessories at @clothing-inspiration, and some of her cosplays can be seen throughout this post!

With us Signe talks about her passion for textile arts and how they allowed her to reclaim her femininity, the importance of non-romantic relationships in creative media, the difficulty of writing kissing scenes, and the need for works and discussions that celebrate our aromanticism. Her love of making, crafting and designing just shines through this post, so please let’s give her all our love, encouragement, gratitude, kudos and follows for taking the time to explore what it is to be aromantic and creative.

Artist Profile - Signe

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Ask: Characters and Absence of Love

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

An anon asks on Tumblr:

What is your opinion on characters who have no love at all (not just romantic love, but all kinds)? Obviously, they’re often demonized (*cough*Voldemort*cough*), but if they aren’t could they work without being inherently arophobic? I (an aro) am thinking of writing a story where a character loses their ability to love and Doesn’t React Well, but eventually learns to accept it. Should I go through with that? If so, are there particular arophobic tropes to avoid?

I am somewhat biased in that I’ve written an aro character who means “all love” when he says he doesn’t love (and this is explored further and more explicitly in his future stories) so, as someone who has a complicated relationship to love myself, bring them on.

I am so tired of seeing “love” billed as the ultimate indicator of a “good” character while “inability to love” is the ultimate indicator of “evil”–despite the fact that some of the most difficult things I have endured came about from someone else’s love. If relatives bullied me and friends-who-wanted-to-be-boyfriends stalked me despite and because of their ability to love, why should an inability to love mean anything  when love just as often motivates cruelty? In my opinion, there is nothing inherently misrepresentative of aro-specs in a character’s inability to love–just the social tangle of ableism and aromisia and amatonormativity from other people in unquestioned assumptions that ability to love makes a protagonist. Why should it?

Continue reading “Ask: Characters and Absence of Love”