Allo-Aro Manifesto

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

It’s easy to get caught up, in writing about allo-aro experiences with regards the a-spec and aromantic communities, in the same reactionary series of responses: don’t do this, stop doing this, this is why this is erasure, this is why this is sexualisation, this is why this is exclusion.

These conversations are necessary and needed to provoke change.

They’re also exhausting, an expression of frustration and anger that is less about my beliefs and philosophies as an allo-aro and more about challenging or correcting behaviours that harm or erase. They’re exhausting because they’re communications to, for and about the people that hurt me; they’re exhausting because even my feelings, in the end, are about asexuality. They’re beneficial to my allo-aro community in the sense that one allo-aro’s anger and frustration validates others, but they’re not communications that build understanding of what allo-aro is. Asexuality is so centred that even our activism focuses more on what asexuals do and less on what allo-aros are.

This manifesto is about, in part, the allo-aro relationship to the a-spec, aromantic, asexual and allosexual LGBTQIA+ communities. This post also outlines who I am as an allo-aro and what philosophies of identity and behaviour I bring to my dealings with other a-specs and allosexuals. It’s a blueprint, waiting for corrections and adjustments and scribbles in the margins, but it is a picture of something that will one day be.

In this post, I’m speaking to and for an audience often forgotten in allo-aro activism: my allo-aro kin.

Continue reading “Allo-Aro Manifesto”

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Fiction Collection: Aromantic and Transgender

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works featuring autistic and transgender/non-binary protagonists. My other aromantic works can be found on my fiction page or at my website.

It’s also worth noting that my protagonists are like to be various combinations of autistic, queer, multisexual and disabled. Not all of these stories focus on aromanticism or gender, but they all feature a non-cis, non-alloromantic narrator.

The Wind and the Stars

Cover for "The Wind and the Stars" by K. A. Cook. Cover shows a night-time scene of black, silhouette-style tree branches against a cloudy sky with a full moon, a lighter halo of cloud surrounding it, in the top centre of the cover. The title text, in white serif and antique handdrawn-style type, is framed by three white curlicues, and a fourth curlicue borders the author credit at the bottom of the cover.True love’s kiss will break any spell. Always be kind to wizened crones. The youngest son is most favoured by wise foxes and crows. Princes save princesses from beastly dragons and towers overgrown with briar brambles. A happily ever after always involves a wedding…

The Wind and the Stars is a short aro-ace fairy tale about heroes, love, adulthood and the worlds we make in the stories we tell.

Contains: a non-amorous/nonpartnering, agender, aro-ace protagonist inventing the fairy tales that describe their life.

Links: PDF (read in browser) | Patreon | Smashwords | Gumroad | WordPress

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 1, 308 words / 4 PDF pages.

Continue reading “Fiction Collection: Aromantic and Transgender”

Catch a Man (Have the Girl) – Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Yuissa is the only partner Adelin wants, but survival in Ihrne requires both girls to keep secret their truth. No matter: they’re only a year away from having coin enough to escape to a cottage in Greenstone, a paradise of vegetable gardens, rescued cats and unrestrained affection. They can survive anything until then, right? Yet when Adelin’s worried mother and grandmother plot to solve Adelin’s unwed state by forcing her to court a male acquaintance, Yuissa thinks a beard the only answer.

A queer-seeming bookseller called Nevolin ein Yinne may do, but the process of asking isn’t quite so simple…

Setting: Catch a Man (Have the Girl) takes place a couple of months before Booksellers Who Know Things. It isn’t necessary to have read any of my other works to read this one (although it’s slightly more amusing if you know that Nevo thinks Adelin is sincere about wishing to date him).

Content Advisory: References to and depictions of emotional abuse, amatonormativity, misogyny, heterosexism and ableism; casual references to sex and sexual attraction; and discussions about and depictions of romantic-coded behaviours like embracing, physical intimacy and marriage. It should be noted that this story focuses on the misogyny dealt to women by other women.

Length: 4, 021 words.

Author’s Essay Note: I wanted to post a bonus piece on Patreon for my birthday. So I … started writing six days before said birthday. As this story was meant to be a flash fiction piece and isn’t, editing became the needed sacrifice.

I should mention that I’m uncomfortable with an attitude in some parts of the aromantic community that an alloromantic’s valuing of marriage as important is emblematic of rampant amatonormativity and, therefore, scornful. Marriage is a civil right that has not always been possessed by, and is still not universally possessed by, LGBTQIA+ people, disabled people, people of colour and/or people in multiracial relationships. For many marginalised people, marriage can be symbolic of identity, freedom, equality and hope in ways that have less to do with romantic attraction or romance. While we must and should discuss the ways it enables amatonormativity, we must and should respect its significance for other marginalised people. So I wrote a story about a queer aromantic girl who wants to marry a queer disabled (autistic) girl and finds marriage to be a symbol of her freedom, her strength and her queerness.

I don’t know, as a nebularomantic, if I’ve written a demiromantic or a demialterous/demiqueerplatonic aromantic character. Adelin feels a non-sexual attraction for Yuissa after the development of their close friendship, but the nature of said attraction isn’t something I can easily categorise in fiction or real life. As much as I believe it important to provide specific representation, all I can say here is read this as you will.

Lastly, I want to thank, from the bottom of my loveless aro heart, @the-rose-owl for being so generously encouraging of my writing aro stories that move outside of more standard aromantic themes. I couldn’t have posted this story without your most recent comment on Patreon.

Will Grandmam ever realise that bad girls have more reason than anyone to appear good?

Continue reading “Catch a Man (Have the Girl) – Part One”

Community Inclusion for Allo-Aros: A Guide

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Many a-specs have a tendency to regard gains in general aromantic inclusion as sufficient for allo-aros, and it’s true to say that decreased antagonism or amatonormativity benefits all aromantics.

Yet allo-aros endure the a-spec and aromantic communities’ ignorance of allo-aro erasure. We endure the unspoken assumption that there’s a clean division between our sexual attraction and our aromanticism, that our allosexuality is best pushed to the side. We endure the belief that there isn’t a problem in how the a-spec community centres asexuality or contextualises allo-aros as either a shape of asexuality or adjacent to it.

When we are told in ways implicit and explicit that our allosexuality doesn’t belong in a-spec spaces, our first fight is to be. How do we create a culture that allows allo-aros to exist without fear of erasure? How do we gain acceptance enough that we too can see our shared home as a shelter and a sanctuary?

Consider this my attempt to create the safety we need with a list of ways any a-spec or aromantic community can become more inclusive of and welcoming to allosexual aromantics.

Continue reading “Community Inclusion for Allo-Aros: A Guide”

Hallo, Aro: Loveless – K. A. Cook

Cover image for Hallo, Aro Allosexual Aromantic Flash Fiction. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text. A translucent overlay of the green/light green/white/yellow/gold alloaro flag sits underneath the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A disabled, pansexual, aromantic cis man discussing the reasons why the phrase “I don’t love” encompasses his platonic and familial relationships.

Content Advisory: Non-detailed mentions of death, war, violence, abuse, cissexism and suicidal ideation. More detailed references to off-page ableism and abuse, including a parent’s breaking of an autistic child’s stim toy. Depictions of heterosexism and heterosexist slurs/sex negative language.

Links: PDF | EPUB | MOBI | Patreon

(PDF, EPUB and MOBI files are also available for download from Patreon.)

Length: 1, 000 words / 4 PDF pages.

Note: This story takes place between The Eagle Court stories A Prince of the Dead and The King of Gears and Bone. I always planned to elaborate on Paide’s statement of love later in the series (and have done so in the drafts of the sequel novel, Birds of a Feather). The need for empowering, sympathetic fictional representation of loveless aros and aros with complicated relationships to love, however, provoked me to tell this story now.

It may help new readers to know that the narrator is a revenant, ensorcelled by the necromancer he fought.

Little does this world hate more than a loveless man, save perhaps a loveless woman.

Continue reading “Hallo, Aro: Loveless – K. A. Cook”

Poetry Collection: Aro and Loveless

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Poetry sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

In my current queue and drafts for Tumblr, it feels like the majority of fiction and poetry is centred on promoting, celebrating and valuing the non-romantic ways aros still love. As much as I respect and support the need for other aros to tell their stories about love, I have to admit to feeling alienated. I’m struggling to find an equal number of depictions of aro identity and self-expression that don’t focus on an aro’s love.

So here’s a collection of reblogged aro poetry more welcoming for loveless aros and aros with complicated relationships to love. These pieces still reference love and discuss love, romance and amatonormativity. They’re not, however, focused on presenting or showcasing the author or narrator’s platonic or familial love. In other words, an aro narrator’s need to love or have their love seen and valued by others is not what these poems are about.

Continue reading “Poetry Collection: Aro and Loveless”

Warning and Advising: A Community Conversation, Part One

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Advisory: Discussions of cissexism, heterosexism, allosexism, allo-aro antagonism/erasure and amatonormativity; examples of sex negative language. This piece also uses the word queer and contains sex and sexual attraction mentions.

Or: why the aro community should discuss our use of content advisories, particularly in light of how they other, alienate and exclude allosexual aromantics.

Not even a decade ago, it was difficult to find queer works that didn’t warn for queerness. Stories (usually from indie presses or posted to LiveJournal, FictionPress or Fanfiction.net) that depicted people like me came burdened by warnings of lesbian, gay, bisexual or transgender characters who may, gasp, engage in sex that didn’t include one cishet character boning a cishet character of the other binary gender.

I’m not talking about genre tags, like labelling a work “lesbian romance”. I’m talking about lines like “readers should be advised that this fic contains sex scenes between two men” even though the story was posted to a community collating m/m fiction. I’m talking about lines like “this fic is about lesbians and hate comments will be deleted” even though the piece was tagged as “lesbian”. I’m talking about a culture where it was deemed vital and necessary to warn for queer people engaged in intimacy. By contrast, the sex in cishet relationships merited warnings for explicitness, not people.

Often these warnings were placed on the same line as advisories for violence, sexual assault, explicit sexual acts or other content society recognises as potentially distressing. When I left comments telling authors what it feels like to keep seeing this sexualisation as a queer and transgender reader and writer, I earnt rejection, denial, refusal and abuse. I don’t know how many hate messages I got; all I remember is that nearly everyone I spoke to told me that they would keep on warning.

Even if warning for queer were somehow a value-neutral advertisement, the lack of comparative warnings for heterosexuality positioned this otherwise.

Continue reading “Warning and Advising: A Community Conversation, Part One”